
Close-up Fine Art portraits: Lived realities and human resilience
“…Portraits never tell the whole story. They offer evidence. “ - Ilya van Marle
Marks, tensions, choices that make you wonder what else happened. Through Ilya's uncompromising lens, the faces of actors, politicians, musicians, and strangers are transformed by unfamiliar details that reveal how complex human faces really are. The face becomes a landscape: rolling hills, deep valleys, crevices, and smooth plains marked by pores, hair, and skin that shifts with the light.

Portrait of a man with short hair, beard, holding hands together under chin, wearing a black shirt and jacket, against a dark background.

A young man with short curly blond hair, blue eyes, and light facial hair wearing a navy blue Patagonia fleece jacket against a black background.

Portrait of a woman with light brown hair styled in a bun, wearing a green satin blouse with buttons, small hoop earrings, and a delicate necklace, against a black background.

Dit is ondernemerschap. Met de nieuwe rubriek willen we laten zien hoe divers ondernemerschap in Nederland is. Misschien denken veel mensen aan een ceo, de Frans Mullers van deze wereld zeg maar. Maar ondernemerschap is veel meer dan dat. Er zijn jonge mensen die eraan beginnen met een super innovatief idee. En ouderen die misschien wel net zo vernieuwend zijn. Vrouwen, mannen, met migratieachtergrond of zonder, ondernemers die tot de LHBTIQ+-gemeenschap behoren of een beperking hebben. Met een piepklein bedrijf of juist een heel grote onderneming. In de chemie actief of juist met een bijna uitgestorven ambacht. Kortom: ondernemerschap kent zo enorm veel gezichten en die willen we allemaal laten zien. Letterlijk. En in tekst. We praten met al die ondernemers over de veerkracht die maakt dat ze tegenslagen overwinnen, altijd denken in oplossingen en dat ze doorzetten waar een ander het misschien allang had opgegeven.

A woman with long blonde hair and blue eyes, wearing a black top, gazes softly at the camera with her hand resting on her chin, against a dark background.

A man with curly hair and a mustache is looking upward with his hands together near his mouth against a black background. He is wearing a black leather jacket, a watch on his left wrist, and a ring on his finger.

Close-up portrait of a man with short, curly black hair, resting his chin on his hand, wearing a gray sweater, posed against a dark background, looking directly at the camera.
The cinematic layer matters. It situates the subject within a larger emotional landscape.
Light becomes language: shaping tone, sculpting intimacy, evoking tension. Every shadow and gesture contributes to a narrative, partially revealed, deeply felt.
In this realm, Ilya van Marle isn't simply a photographer, he's a visual narrator. His portraits don't rely on precision alone; they rely on presence, on feeling. The most powerful images arise when you understand the human condition. A cinematic portrait doesn't declare its meaning. It offers space for interpretation, for connection, for the viewer's imagination to take root.